2017數位藝術策展案-人艱不拆|11.25-1.28.2018|國立臺灣美術館 數位藝術方舟

2017數位藝術策展案-人艱不拆|11.25-1.28.2018|國立臺灣美術館 數位藝術方舟

 

 

2017數位藝術策展案「人艱不拆」

展覽日期:2017 / 11 / 25 – 2018 / 01 / 28
開幕式:2017 / 11 / 25(六)14:30
藝術家座談會:2017 / 11 / 25(六)15:30
座談詳情及報名👉http:// goo.gl/3UHH7s
地點:國立臺灣美術館 數位藝術方舟
策展人:陳漢聲、劉星佑
展出藝術家:張博傑、邱杰森、莫珊嵐、許家禎、林正偉、馬仁熙、蔡玉庭、王祺


「人艱不拆」為網路用語,出自林宥嘉《說謊》一曲,原句為「人生已經如此的艱難,有些事情就不要拆穿」。本展由生活處境/生存方式、日常/非日常兩組對立的姿態切入,輔以面對網路世界時獨白/對話、虛擬/真實兩組對照,以作品為認識與辨識過程的起點與終點,探討數位技術中的諸多身體經驗。

腦補學在展覽中指的是人們因受到媒體養成,在觀看與思考現實世界的人事物時,出現的一種與數位媒體近似的運算邏輯;而抓漏術即是參展藝術家在同樣規訓的身體下,回到媒介、觀看或是觀者本身,所產生出的一種識破機制。參與「人艱不拆」一展的藝術家,在拆與不拆之間,以看似再現媒體技術的姿態,罷黜了再現的可能,卻因此獲得了更多關於「再現」本身更多的感知機制。

在數位技術產生之前,數位經驗早已被建構,並成為被理解的對象,換言之,數位經驗一直以來都包含著類比式的理解邏輯,「人艱不拆」一詞包含一種,用類比經驗理解數位感受的難分難捨,以及數位經驗停留在類比知識所無法理解的狀態。本展藝術家的作品,展示了生活與生存情境下的經驗與知識,如何在數位與類比之間重覆斷裂又重新銜接。風、聲、光、電、圖像與影像的線索中,讓身體速率在同步的基礎上,得以開啓原初的感受。

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2017 Digital Art Curatorial Exhibition Program – The Philosophy of Disclosure

Date: 2017 / 11 / 25 – 2018 / 01 / 28
Opening: 2017 / 11 / 25 (Sat.) 14:30
Lecture: 2017 / 11 / 25 (Sat.) 15:30
Venue: Digiark, National Taiwan Museum of Fine Arts

Curators: CHEN Han-Sheng, LIU Shing-You
Artists: CHANG Po-Chieh, CHIU Chieh-Sen, Margot GUILLEMOT, HSU Jia-Jhen, LIN Cheng-Wei, Inhee MA, TSAI Yu-Ting, WANG Qi

This exhibition aims to investigate into how trompe-l’oeil functions in images, especially the various physical experiences derived from digital technologies as shown in the latest exhibition. If we can understand the studies of nau-bu as a law of algorithmic viewing (rendering) developed from a digitally-disciplined body in order to know the world, then “leak-hunting” is the same body’s mechanism of “uncovering” (graphic glitch) to return to the media, the act of viewing, or the viewers themselves. Therefore, trompe-l’oeil is the artist version of nau-bu and leak-hunting. In other words, images, as an idea and practice, allow us to cover and uncover in alternation for a choice between living and surviving.

Before the invention of digital technologies, we had already constructed digital experiences and tried to understand it. In other words, the analog logic is always a part of digital experiences. The title “The Philosophy of Disclosure” implies the strong attachment to the understanding of digital feelings through analog experiences and the impossibility to understand analog knowledge through digital experiences. Whether it is the impossible or the possible, the closure or the disclosure, the exhibiting artists in their artworks all demonstrate their knowledge and experiences of how one lives and survives, particularly the gap and the re-established link between the digital and the analog. Through the traces of wind, sound, light, electricity, and images, the synchronized body speed is made possible to activate the elemental feelings.